Time auction
72
ONLINE TIMED AUCTION
tue 1 - thu 10 June 2021
211
Pair of landscapes
Venetian school, 18th century
depicting "Christ and the Samaritan woman at the well" and "Apparition of Christ on the road to Emmaus", in frames. [..], tempera on canvas paper, 32 x 47 cm
211
Pair of landscapes
Venetian school, 18th century
depicting "Christ and the Samaritan woman at the well" and "Apparition of Christ on the road to Emmaus", in frames. [..], tempera on canvas paper, 32 x 47 cm
213
Frans Swagers (attr. a)
(1756 - 1836)
Landscape with herds and shepherds
the painting, with craquelure on the pictorial surface, retains an old tag on the reverse of the canvas with the [..], oil on canvas, 33 x 46 cm
213
Frans Swagers (attr. a)
(1756 - 1836)
Landscape with herds and shepherds
the painting, with craquelure on the pictorial surface, retains an old tag on the reverse of the canvas with the [..], oil on canvas, 33 x 46 cm
214
Male portrait
Lombard school, second half of the 17th century
Judging by the three-quarter position of the face, this portrait, of strong psychological intensity, could also [..], oil painting on canvas, 43 x 35 cm
214
Male portrait
Lombard school, second half of the 17th century
Judging by the three-quarter position of the face, this portrait, of strong psychological intensity, could also [..], oil painting on canvas, 43 x 35 cm
215
Siegfried Massmann (attr. a)
(1853)
Rhenish landscape with figures
drops of color, reintelato, in a gilded frame, oil on canvas, 37 x 52 cm
215
Siegfried Massmann (attr. a)
(1853)
Rhenish landscape with figures
drops of color, reintelato, in a gilded frame, oil on canvas, 37 x 52 cm
216
Christian Georg II Schüz (seguace di)
(1758 - 1823)
River landscape with figures
the painting has several points in which the colors of the canvas rise. In gilded frame, oil on board, 22 x 26 cm
216
Christian Georg II Schüz (seguace di)
(1758 - 1823)
River landscape with figures
the painting has several points in which the colors of the canvas rise. In gilded frame, oil on board, 22 x 26 cm
217
Bohémien break in a wood
English school, first quarter of the 19th century
in gilded frame, not in good condition, oil painting on canvas, 52.5 x 68 cm
217
Bohémien break in a wood
English school, first quarter of the 19th century
in gilded frame, not in good condition, oil painting on canvas, 52.5 x 68 cm
218
George Armfield (attr.)
(1808 - 1893)
Terrier hunts a rabbit
England, 1840-1875
framed, oil painting on canvas, 20.5 x 25.5 cm
218
George Armfield (attr.)
(1808 - 1893)
Terrier hunts a rabbit
England, 1840-1875
framed, oil painting on canvas, 20.5 x 25.5 cm
219
Card players
Flemish school, late 18th century
in a golden frame from the 20th century, in good state of conservation, oil on board, 25 x 32 cm
219
Card players
Flemish school, late 18th century
in a golden frame from the 20th century, in good state of conservation, oil on board, 25 x 32 cm
220
Visitation of Mary to St. Elizabeth
Bergamo area, first half of the 18th century
copious drops of color and large gaps, in a non-coeval frame, oil on copper applied on tablet, 15 x 19 cm
220
Visitation of Mary to St. Elizabeth
Bergamo area, first half of the 18th century
copious drops of color and large gaps, in a non-coeval frame, oil on copper applied on tablet, 15 x 19 cm
221
Gerard Dow, copia da
(Leida, 1613 - Leida, 1675)
The tooth picker
late eighteenth century
well-made copy, datable to the end of the 18th century, of the famous representation of the tooth picker by the [..], oil on copper, 26 x 21.5 cm
221
Gerard Dow, copia da
(Leida, 1613 - Leida, 1675)
The tooth picker
late eighteenth century
well-made copy, datable to the end of the 18th century, of the famous representation of the tooth picker by the [..], oil on copper, 26 x 21.5 cm
222
Optical views of European cities
second half of the 18th century
Georg Baltahasar Probst (1732 - 1801), Optic view of the Berlin Arsenal. Perforated and ready for illuminated [..], etching with coeval hand coloring, 26 x 42
222
Optical views of European cities
second half of the 18th century
Georg Baltahasar Probst (1732 - 1801), Optic view of the Berlin Arsenal. Perforated and ready for illuminated [..], etching with coeval hand coloring, 26 x 42
223
View of Saint Stefano Rotondo
Italian school, 19th century
with passepartout and frame, tempera on paper, 15 x 22 cm
223
View of Saint Stefano Rotondo
Italian school, 19th century
with passepartout and frame, tempera on paper, 15 x 22 cm
224
The coast of Posillipo
Neapolitan school, second half of the 19th century
signed: E. Santangelo, with passepartout and frame, gouache on paper, 16 x 21 cm
224
The coast of Posillipo
Neapolitan school, second half of the 19th century
signed: E. Santangelo, with passepartout and frame, gouache on paper, 16 x 21 cm
226
Lot of three prints with views of Naples
of 19th century Neapolitan gouaches, framed, color printing, at different sizes
226
Lot of three prints with views of Naples
of 19th century Neapolitan gouaches, framed, color printing, at different sizes
227
Walter Robertson (attr.)
(1750 - 1801)
Portrait of a Gentlewoman
signed on the left: Walter, framed, watercolor on ivory, diameter 4 cm
227
Walter Robertson (attr.)
(1750 - 1801)
Portrait of a Gentlewoman
signed on the left: Walter, framed, watercolor on ivory, diameter 4 cm
228
Hunters
Flemish painter, early 17th century
with passepartout and frame, Ink and brown watercolor on paper, 19 x 26 cm
228
Hunters
Flemish painter, early 17th century
with passepartout and frame, Ink and brown watercolor on paper, 19 x 26 cm
229
Christ in glory supported by angels
Italian school, 18th century
framed, graphite, charcoal, white lead and watercolor, 30 x 42 cm
229
Christ in glory supported by angels
Italian school, 18th century
framed, graphite, charcoal, white lead and watercolor, 30 x 42 cm
230
Bartolomeo Biscaino (maniera di)
(1632 - 1657)
Two preparatory studies
Sant'Antonio e studio di mani, graphite and white lead on paper, 20 x 15.5 cm; 20 x 14 cm
230
Bartolomeo Biscaino (maniera di)
(1632 - 1657)
Two preparatory studies
Sant'Antonio e studio di mani, graphite and white lead on paper, 20 x 15.5 cm; 20 x 14 cm
231
Francesco Landonio (maniera di)
(1723 - 1783)
Shepherds with herds
the passpartout of the drawing bears the inscription "attr. to Micco Spadaro", graphite and brown watercolor on paper, 13 x 17 cm
231
Francesco Landonio (maniera di)
(1723 - 1783)
Shepherds with herds
the passpartout of the drawing bears the inscription "attr. to Micco Spadaro", graphite and brown watercolor on paper, 13 x 17 cm
232
Johan Elias & Martin Elias Ridinger
Equestrian games
German school, 18th century
framed, etching with coeval coloring, 36 x 60 cm
232
Johan Elias & Martin Elias Ridinger
Equestrian games
German school, 18th century
framed, etching with coeval coloring, 36 x 60 cm
233
Bartolomeo Pinelli
(1781 - 1835)
Interior of an osteria in Rome
1870
framed, hand watercolored engraving, 31 x 41 cm
233
Bartolomeo Pinelli
(1781 - 1835)
Interior of an osteria in Rome
1870
framed, hand watercolored engraving, 31 x 41 cm
234
Bartolomeo Pinelli
(1781 - 1835)
The morra game in Rome
1875
framed, hand watercolored engraving, 19 x 28 cm
234
Bartolomeo Pinelli
(1781 - 1835)
The morra game in Rome
1875
framed, hand watercolored engraving, 19 x 28 cm
235
François Morel
(1767)
View of the Tomb of the Horatii and Curiatii
framed, watercolor engraving, 38 x 48 cm
235
François Morel
(1767)
View of the Tomb of the Horatii and Curiatii
framed, watercolor engraving, 38 x 48 cm
237
Filippo Anivitti
(1876 - 1955)
Villa d'Este
framed, signed on the lower right, watercolor on paper, 34 x 60 cm
237
Filippo Anivitti
(1876 - 1955)
Villa d'Este
framed, signed on the lower right, watercolor on paper, 34 x 60 cm
238
Emma Regis©
(1854)
Girl with flowers
framed, signed on the lower left, watercolor on cardboard, 38 x 15.5 cm
238
Emma Regis©
(1854)
Girl with flowers
framed, signed on the lower left, watercolor on cardboard, 38 x 15.5 cm
239
Augusto Corelli
(1853 - 1918)
Peasant with ruins background
framed, signed on the lower right, watercolor on paper, 54 x 37 cm
239
Augusto Corelli
(1853 - 1918)
Peasant with ruins background
framed, signed on the lower right, watercolor on paper, 54 x 37 cm
240
Santa Maria della Salute in the style of Francesco Guardi
anonymous painter, early 20th century
framed, oil painting on canvas, 19 x 10 cm
240
Santa Maria della Salute in the style of Francesco Guardi
anonymous painter, early 20th century
framed, oil painting on canvas, 19 x 10 cm